Kamis, 18 Februari 2010

[R715.Ebook] Download Practical Machine Learning: A New Look at Anomaly Detection, by Ted Dunning, Ellen Friedman

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Practical Machine Learning: A New Look at Anomaly Detection, by Ted Dunning, Ellen Friedman

Practical Machine Learning: A New Look at Anomaly Detection, by Ted Dunning, Ellen Friedman



Practical Machine Learning: A New Look at Anomaly Detection, by Ted Dunning, Ellen Friedman

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Practical Machine Learning: A New Look at Anomaly Detection, by Ted Dunning, Ellen Friedman

Finding Data Anomalies You Didn't Know to Look For

Anomaly detection is the detective work of machine learning: finding the unusual, catching the fraud, discovering strange activity in large and complex datasets. But, unlike Sherlock Holmes, you may not know what the puzzle is, much less what “suspects” you’re looking for. This O’Reilly report uses practical examples to explain how the underlying concepts of anomaly detection work.

From banking security to natural sciences, medicine, and marketing, anomaly detection has many useful applications in this age of big data. And the search for anomalies will intensify once the Internet of Things spawns even more new types of data. The concepts described in this report will help you tackle anomaly detection in your own project.

  • Use probabilistic models to predict what’s normal and contrast that to what you observe
  • Set an adaptive threshold to determine which data falls outside of the normal range, using the t-digest algorithm
  • Establish normal fluctuations in complex systems and signals (such as an EKG) with a more adaptive probablistic model
  • Use historical data to discover anomalies in sporadic event streams, such as web traffic
  • Learn how to use deviations in expected behavior to trigger fraud alerts

  • Sales Rank: #1507331 in Books
  • Brand: Dunning, Ted/ Friedman, Ellen
  • Published on: 2014-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .14" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 66 pages

About the Author

Ted Dunning is Chief Applications Architect at MapR Technologies and committer and PMC member of the Apache Mahout, Apache ZooKeeper, and Apache Drill projects and mentor for these Apache projects: Spark, Storm, Stratosphere, and Datafu. He contributed to Mahout clustering, classification, and matrix decomposition algorithms and helped expand the new version of Mahout Math library. Ted was the chief architect behind the MusicMatch (now Yahoo Music) and Veoh recommendation systems, built fraud-detection systems for ID Analytics (LifeLock), and has issued 24 patents to date. Ted has a PhD in computing science from University of Sheffield. When he’s not doing data science, he plays guitar and mandolin. Ted is on Twitter at @ted_dunning.

Ellen Friedman is a consultant and commentator, currently writing mainly about big data topics. She is a committer for the Apache Mahout project and a contributor to the Apache Drill project. With a PhD in Biochemistry, she has years of experience as a research scientist and has written about a variety of technical topics including molecular biology, nontraditional inheritance, and oceanography. Ellen is also co-author of a book of magic-themed cartoons, A Rabbit Under the Hat. Ellen is on Twitter at @Ellen_Friedman.

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13 of 17 people found the following review helpful.
More of a "pamphlet" than a "book".
By hp
There are a lot of short, introductory texts and review articles out there that are really useful- they introduce you to the fundamental concepts of the field, so that you have a basic understanding and so that you'll know what to look up if you need it. This is not one of those books.

The depth of the "practical machine learning" advice in this book is at the level of gems like "before you can spot an anomaly, you first have to figure out what 'normal' is." (chapter 2) Really? My anomaly detection system will have to know what things AREN'T anomalies? Well thank God I dropped $18 to find that out.

Sure, the book (sort of) introduces some important concepts that could point you toward more information- like self-information, maximum entropy distributions, type I and II errors, and Bayes risk. I say "sort of" because they're not derived, motivated, or explained in any detail. Most importantly, the authors don't use the proper terms for any of them, so you won't even know what to look up for more information.

My favorite chapter is the one devoted to the "t-Digest" algorithm, which was developed by one of the authors. You get to spend the entire chapter waiting for the part where they explain the algorithm, what it does, or how it works. Guess what- it's not there! There's literally an entire chapter on an algorithm that never discusses, even qualitatively, what the algorithm is.

I honestly have no idea who this book is supposed to be for. The authors bring up Mahout constantly, which you're probably not using if you're new to machine learning. If you aren't a complete novice, though, you'll just be insulted. And if you have any expertise at all in machine learning or probabilistic modeling, and thought that this book might contain some practical advice for designing anomaly detection systems, you'll be sorely disappointed.

Amazon lists this book as being 66 pages, which is only technically true if you count the title page, table of contents, Strata advertisement at the end, and (I'm not making this up) two blank pages. It's a small book with large print, padded with lots and lots of white space and irrelevant photos (like someone holding a magnifying glass over the word "anomaly" on a laptop screen). At some point, apparently, quality control at O'Reilly really went downhill.

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Rabu, 17 Februari 2010

[J525.Ebook] Fee Download How to Survive and Prosper as an Artist: Selling Yourself Without Selling Your Soul, by Caroll Michels

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How to Survive and Prosper as an Artist: Selling Yourself Without Selling Your Soul, by Caroll Michels

The classic handbook for launching and sustaining a career that "explodes the romantic notion of the starving artist," (The New York Times) with a brand-new chapter on Internet art marketing

Now in its sixth edition, How to Survive and Prosper as an Artist is the definitive guide to taking control of your career and making a good living in the art world. Drawing on nearly three decades of experience, Caroll Michels offers a wealth of insider's information on getting into a gallery, being your own PR agent, and negotiating prices, as well as innovative marketing, exhibition, and sales opportunities for various artistic disciplines. She has also added a new section on digital printmaking and marketing in this emerging field.

Most notably, this sixth edition contains an entirely new chapter: "Art Marketing on the Internet." Michels offers criteria for selecting an ideal Web designer for your online portfolio and for organizing your Web presence, and shares proven methods for attracting curators, dealers, and private clients to your site. She also addresses vital legal concerns in the age of e-commerce, including copyrighting and registering your art, and finally, the appendix of resources, consistently updated online at Michels's site the Artist Help Network, is fully revised.

  • Sales Rank: #60784 in Books
  • Published on: 2009-06-09
  • Released on: 2009-06-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 201.93" h x 1.09" w x 5.43" l, .75 pounds
  • Binding: Paperback
  • 400 pages

Review
Praise for the fourth edition:

"Provides the best overview of political and other aspects of the art world that I have ever come across. . . It is a bible that every artist should have." --Shannon Wilkinson, president, Cultural Communications, New York

"This book should be required reading for every exhibiting artist." --Ellen Rixford, Graphic News

"This self-help career book is the pick of the litter." --Donna Marxer, Artists' News

"Michels is filled with energy and ideas. . . Her experience is the reader's bonus." --American Artist

About the Author

Caroll Michels is a successful sculptor whose artwork has been exhibited in museums worldwide, and she has worked as a career coach on behalf of thousands of artists since 1978. She lives in Sarasota, Florida.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction: An Overview In 1978 I began counseling visual and performing artists and writers on career management and development. I set up my own business and called myself an "artist`s consultant." Today, I refer to my profession as a "career coach and artist advocate," a job title that better describes the work that I do. Ranging in age from twenty-one to eighty-five, clients have included painters; sculptors; printmakers; fiber artists; poets; playwrights; novelists; cartoonists; journalists; photographers; craft artists; theater and film directors; film and video artists; performing artists; choreographers; dancers; classical, jazz, and pop musicians and composers; and opera singers. They have included well-known artists, unknown artists, beginning artists, self-taught artists, midlife career changers, artists fresh out of school, and college dropouts. My clients have also included groups of artists, artist couples, arts administrators, curators, gallery dealers, art consultants, critics, arts service organizations, and theater and dance companies. I have assisted a rabbi, a retired executive of Macy`s department store, a retired host of a television variety show, a gossip columnist, ex-offenders, corporate executives, physicians, surgeons, architects, psychiatrists, psychologists, lawyers, and editors. When I first began working with artists, the majority of my clients lived in the New York City area. However, today, through phone consultations I help artists nationwide, as well as those who live in Canada, Europe, Japan, and South America. I also meet with many artists in person in Sarasota, Florida. I have advised and assisted artists in developing such basic career tools as résumés, artist statements, biographies, and brochures. I have provided information and advice on exhibition, performance, and commission opportunities. I have advised and assisted in the preparation of exhibition proposals, book proposals, and grant proposals, and public relations campaigns. I have advised artists on how to negotiate with art dealers and to prepare for studio visits. I have also counseled artists on complex and seemingly less tangible career problems such as developing goals and helping artists learn to see themselves in relation to the world at large and as participants in the specific world of art and its various components. I have also counseled artists on handling rejection as well as success and on maintaining momentum and overcoming inertia. However, the most significant aspect of my work is helping artists to take control of their careers. Calling myself an artists` consultant and "hanging out a shingle" was not an easy task. For valid and comprehensible reasons, deeprooted skepticism was intrinsic to all arts communities. Initially, it was difficult to reach artists and convince them that what I had to say and offer was worthwhile. I jumped this major hurdle when a writer from the Village Voice wrote an article about me and why my services were needed and necessary. It was only one journalist`s opinion, but the endorsement was set in type, and I was deemed legitimate! Literally an hour after the Voice article hit the newsstands my life changed drastically. I was swamped with phone calls from artists eager to set up appointments. Nevertheless, after more than thirty years of counseling artists, I still find it is not uncommon to be questioned about why I am qualified to give artists advice. Some of my specific accomplishments are sprinkled throughout this book, cited to make or emphasize a point or convey an experience. Although I am no longer doing artwork, I have always been proud that I was able to live solely off my earnings as an artist. I exhibited at museums and cultural institutions throughout the United States and in Europe. I established a solid track record for winning grants and corporate contributions. I developed and implemented all of my own public relations and publicity. And I was regularly published in newspapers and periodicals. Managing my own career was something that no one person taught me. I learned from several individuals, positive and negative encounters, trial-and-error experiences, and personal intuition. My father was an artist and studied at the Art Institute of Chicago. He earned a living as a graphic designer for the U.S. government. Early in his career he also worked as a freelance political cartoonist. In the evenings and on weekends he would design all sorts of "products"—ranging from a line of greeting cards with rather offbeat messages to T-shirts and other paraphernalia with messages that espoused his political point of view. Although he was jubilant about each and every project and would go as far as having everything printed without a marketing plan, he "froze" when it came time to make business contacts and organize sales. Some of the cards and T-shirts were distributed free of charge to friends and relatives, but basically our basement became a huge repository for what might have been. When he retired, he started painting profusely. And although he read every word in each edition of my book, he never asked me for advice on how to get his watercolors beyond the walls of his house nor did I ever hear him mention that he submitted his work for exhibition consideration. Only in recent years did I finally make the connection between the work I do with artists and my family background—that I am helping artists achieve what my father was unable to do: enter the marketplace. This book contains information and advice derived from all of my experiences when I was working as an artist, as well as those of my clients, and most certainly some subliminal messages that I received from my childhood and adolescent years. I have offered perceptions, observations, and advice that would have been invaluable to me when I first started to make a career as an artist. What artists need most is objective advice, but what they usually receive is reinforcement of a myth of what it is like to be an artist. All too often artists are characterized as underdogs, and accordingly this image is reinforced throughout their careers. I can`t promise that all of my advice is objective, since my personal experiences come into play, but the original incentive to write this book came from realizing how much underdog philosophy was being published under the guise of "nuts and bolts" career management. Much of the reading material published in the 1970s and 1980s flatly stated that the way the art world operates will always remain the same, and it is naive to try to change it. Other publications were more subtle, but the tone was patronizing: "Yes, artists, you might be creative, talented, and have a lot to give to the world, but there are `others` who really know what is going on, others who know best." A book published in 1970 used the sexist title The Artist`s Guide to His Market. Although the title of subsequent editions was changed to The Artist`s Guide to the Art Market, the author advised that it would be unrealistic for artists to believe that they can earn a living through art sales.1 Although, in the 2000s, books on career management for artists are more plentiful and some publications emit tones that are more optimistic and empowering, the attitudes displayed by artists and many members of the art world continue to reek of the master/slave and victim/victimizer mentality. This book addresses artists` roles in advancing and bettering their lot, taking control of their careers, learning to market their work, learning

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3 of 3 people found the following review helpful.
The Kindle edition needs link cleanup in the appendix
By S. Canzoneri
Helpful text, but the Resources section at the back is pretty out of date, and needs cleaning up. A number of the links are dead or lead to pages that just are not useful -- including the author's own web site which is listed over and over again in the appendix. I sympathize with how hard it is to keep a web site up to date, and would not mind if the author let her site go. And I recognize that in a hard copy book, on line links will go out of date. However, it seems to me that the Kindle edition could be changed relatively easily to delete the useless "resources" -- It doesn't look professional to have so many bad links.

1 of 1 people found the following review helpful.
Great Book for Jump-Starting a Stalled Career or ...
By E. L. Moon
This is one of my reference books... i.e. it never makes it to the book shelf.

When I have a rough day as a self-employed artist, or just need a fresh perspective on my life, I pick up this book, read a few pages and I'm off again, freshly inspired and ready for action.

Does it all apply? Of course not, but there's an excellent breadth of information and I always gain benefit from the time spent reading it.

I wonder if I'll ever manage to finish the book? The fact that I haven't, and yet can look back and see how very far I've come in my career as an artist speaks to this and the other reference books I've found written to take the mystique out of being an artist and actually making a living through creative expression.

0 of 0 people found the following review helpful.
Five Stars
By iamArtsy
Lots of info, but not sure how much a truly relevant in today's world. Still worth a read!

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Kamis, 11 Februari 2010

[F976.Ebook] PDF Ebook Digital Electronics, by S Salivahanan, S Arivazhagan

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Digital Electronics, by S Salivahanan, S Arivazhagan

Enhanced use of digital circuits in all disciplines of engineering has created an urge among students for in-depth knowledge. A single textbook dealing with the basics of digital technology, including the design aspects of circuits, is the need of the hour. We present this revised edition to fulfill the requirements of the students of various BE/BTech degree courses including Electronics and Communication Engineering, Electrical and Electronics Engineering, Information Technology, Computer Science and Engineering and Electronics and Instrumentation Engineering offered in all Indian universities. The book will also serve as textbook to students of BSc and MSc courses in Electronics and Communication, Information Technology, Computer Science, Applied Physics and Computer Software, MCA, AMIE, graduate IETE and Diploma courses and as reference for competitive examinations. This book is divided into 13 chapters. Each chapter begins with an introduction and ends with review questions and problems. Chapter 1 introduces the number system, binary arithmetic and codes. Chapter 2 deals with Boolean algebra, simplification using Boolean theorems, K-map method and Quine-McCluskey method. In Chapter 3, logic gates and implementation of switching functions using basic and universal gates are discussed. Chapters 4 and 5 give a brief description on combinational circuits like arithmetic and data processing. Chapter 6 describes flip-flops and realization using flip-flops. Chapter 7 discusses synchronous and asynchronous counters and the design of synchronous counters in detail. Chapter 8 presents shift registers, shift counters and ring counters and their design. Chapters 9 and 10 are devoted to the design of synchronous and asynchronous sequential circuits, respectively. Chapter 11 concentrates on memory devices, which includes ROM, RAM, PLA, PAL and FPGA. Chapter 12 deals with logic families like TTL and CMOS logic circuits. Chapter 13 describes Hardware Description Language (HDL) for Digital Circuits. A number of appendices provide the student a quick glance of the topics. All the topics have been illustrated with clear diagrams. A variety of examples are given to enable students to design digital circuits efficiently. We sincerely thank the managements of SSN College of Engineering, Chennai and Mepco Schlenk Engineering College, Sivakasi, for their constant encouragement and providing necessary facilities for completing this project. Our colleagues Dr V S Kanchana Bhaaskaran, Mr R Rengaraj and Mr V R Venkatasubramani have reviewed the additional materials. Our thanks are due to Mr R Gopalakrishnan for word—processing the additional script.

  • Sales Rank: #5715919 in Books
  • Published on: 2011-03-28
  • Format: Large Print
  • Original language: English
  • Dimensions: 9.50" h x 1.48" w x 6.78" l, 1.63 pounds
  • Binding: Paperback
  • 654 pages

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Jumat, 05 Februari 2010

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HESI A2 Practice Tests: 350+ Test Prep Questions for the HESI A2 Exam, by HESI A2 Exam Practice Test Question Team



HESI A2 Practice Tests: 350+ Test Prep Questions for the HESI A2 Exam, by HESI A2 Exam Practice Test Question Team

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HESI A2 Practice Tests: 350+ Test Prep Questions for the HESI A2 Exam, by HESI A2 Exam Practice Test Question Team

Our 350+ HESI A2 Practice Test Questions are just like the ones you will see on the real exam and organized so that you will improve your knowledge and test taking skills. Working through practice questions is the most important and one of the most effective methods possible for preparing for an exam. If you don’t know what is it on the exam, how can you be ready for test day? These HESI practice test questions can be used by themselves or in addition to our study guide if you want extra practice. Either way, you get high quality questions just like on the exam to ensure you are prepared for the exam. We understand that not everyone needs or wants a comprehensive study guide, so if you feel you know the material and just want to hone your skills and get some practice, you will find no better HESI A2 practice test questions than these. If you already have our study guide, you can get even more practice with new questions in this book too!

  • Sales Rank: #22331 in Books
  • Published on: 2016-07-01
  • Original language: English
  • Dimensions: 11.00" h x .23" w x 8.50" l, .55 pounds
  • Binding: Paperback
  • 98 pages

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0 of 0 people found the following review helpful.
Great Test Prep
By Amazon Customer
I received this book in record time. So far it seems to be everything I was looking for! It's just the right size and covers all areas of this test. Very glad I supplemented my study guide with this test prep book. It also was priced below the others and is for 2017.

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By Niovyta
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I haven't taken the test yet but I believe it's providing a good method for my review. The sample questions allow you to determine the areas you need to revisit.

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Rabu, 03 Februari 2010

[K629.Ebook] Fee Download Student Solutions Manual for Weiers' Introduction to Business Statistics, 5th, by WEIERS

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  • Sales Rank: #8449906 in Books
  • Brand: Brand: South-Western College Pub
  • Published on: 2004-04-07
  • Original language: English
  • Binding: Paperback
  • 368 pages
Features
  • Used Book in Good Condition

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Student Solutions Manual for Weiers' Introduction to Business Statistics, 5th, by WEIERS PDF
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